The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Here he halted; and, looking upwards, read, at the foot of an immense sign-board, displaying a gaudily-painted angel with expanded pinions and an olive-branch, not the name he expected to find, but that of WILLIAM KNEEBONE, WOOLLENDRAPER. He came to her at once, and turning, walked by her side. ’ ‘Wait!’ Leaning forward, Hilary tapped on the panel.
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